What do you know about the roots of that culture and swing? NT: Speaking of "Hey, Pachuco!," there were a lot of Phoenix zoot suiters back in that day. SS: Well, guess what-they take lessons from the same teacher. That solo in the "Pachuco" reprise could have Neil Peart taking notes. He had to start listening to a lot of tapes like Louis Prima and Cab Calloway just to get a good understanding and feel for it. The funny thing is that Daniel was really new to the whole swing thing. "Mondello" and "Trouble in Tinseltown" were two we could never get quite right. We could play songs that we always wanted to do. SS: We got him three years ago and that's when everything went to the next level. NT: Yeah, that drummer you've got is phenomenal. By the end of the set, people were throwing devil signs and rocking out!
Actually, our drummer's solo helped turn the audience around. So we said, hell, yeah! I mean, what more of a story than to open for KISS! It was scary, 'cause there were 13,000 people out there waiting to see KISS. About two weeks later, I get a call and they're saying they have us penciled in for Omaha. On our last tour, we joked with some of KISS' people backstage in Denver about opening a show. Hell, man, we opened for KISS two nights in Omaha. A Heavy-Metal Sunfest or something like that. Scott Steen: That was the first time we came through there. New Times: Didn't you play a heavy-metal festival in Phoenix once? Trumpet player Scott Steen took time out to discuss pachuco history, vintage suits and, of course, Las Vegas. Royal Crown premieres its upcoming national tour in Tempe, marking its 10th appearance in the Valley. RCR's breakthrough album includes a spruced-up version of "Hey, Pachuco!" and 11 other swing, jazz and back-alley bebop cuts with titles like "Datin' With No Dough" and "Zip Gun Bop." RCR is also Darin enough to cover Bobby's classic "Beyond the Sea," an orchestrated cut that's smoother than a peeled egg. won the bidding war, and issued last year's Mugzy's Move.
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With a big movie break, and the considerable chops of Lepisto and Glass, Royal Crown Revue was a hot ticket. Minneapolis bass player Veikko Lepisto and Hawaiian drummer Daniel Glass got the open spots. The group was in turmoil at that point-the three brothers' moonlighting between RCR and Youth Brigade were slowing things down, and the rest of the band eventually fitted them with cement shoes. Bill Ungerman, a baritone saxist and arranger from Oklahoma, joined up shortly thereafter. Movie director Charles Russell heard the disc, caught a live set and hired the Revue to perform "Hey, Pachuco!" for Jim Carrey's animated dance sequence in The Mask. This early version of RCR recorded the group's debut, Kings of Gangster Bop, released in 1991, just before trumpet player Scott Steen came down from Frisco. Influenced by rockabilly, soul and the Sex Pistols, the trio started jamming and hooked up with three siblings from the early '80s punk trio Youth Brigade. The third man, Mando Dorame, was a tenor-sax player from Watts.
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Rockabilly guitarist Eddie Nichols, originally from Manhattan, switched to vocals and started teaching six-string novice James Achor (Ohio) how to really play. But Royal Crown Revue didn't follow a pop-culture trend-pop culture caught up with Royal Crown Revue. RCR has been crowned king of "cocktail nation," and the band's timing may seem suspiciously impeccable to fans arriving fashionably late. The outfit's members share an appreciation for pulp-crime novels and dress like they cleaned out Al Capone's vault before Geraldo Rivera got there-fedoras, double-breasted pinstripe suits and two-tone leather shoes. Manning the vanguard of the neo-swing movement is Royal Crown Revue, a cool, classy seven-piece that reconstructs the Cotton Club era into gangster whitewalls of sound, incorporating big-band jazz, R&B and bebop with a punk aesthetic. Gershwin probably had no idea that, 65 years later, the drums would still be rolling, the trumpets calling and the people-from KISS fans to stage-diving skaters-still shouting.